ABOUT ME
Music has always been the way I make sense of the world. I’m drawn to sound not just for its beauty, but for its ability to hold emotion, memory, and quiet intensity. Much of my work begins with listening and improvising, and thinking about the kind of mood I want to create.
As a composer, I’m interested in atmosphere and detail: how small shifts in harmony or texture can change the emotional weight of a piece, how repetition can become grounding or unsettling, and how silence can create space to breathe. I write music that invites attention rather than demands it, often intimate, drawing the listener in.
Being a musician shapes everything I compose. I've studied harp, piano and voice to an advanced level and working directly with instruments and performers keeps my writing tactile and alive. I value collaboration as an essential part of the process and I enjoy projects where music supports a larger story - whether that’s for film, performance, or a shared creative vision.
"I began my musical life as a pianist from the age of around 5. My mother was a pianist and piano teacher and we had a beautiful boudoir grand piano in our living room. Lessons were informal and relaxed and progression came naturally, it wasn't pushed or forced."
"Learning the harp was one of the most significant turning points in my musical career."